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Splinterlands, by John Feffer
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Part Field Notes from a Catastrophe, part 1984, part World War Z, John Feffer's striking new dystopian novel, takes us deep into the battered, shattered world of 2050. The European Union has broken apart. Multiethnic great powers like Russia and China have shriveled. America's global military footprint has virtually disappeared and the United States remains united in name only. Nationalism has proven the century's most enduring force as ever-rising global temperatures have supercharged each-against-all competition and conflict among the now 300-plus members of an increasingly feeble United Nations.
As he navigates the world of 2050, Julian West offers a roadmap for the path we're already on, a chronicle of impending disaster, and a faint light of hope. He may be humanity's last best chance to explain how the world unraveled—if he can survive the savage beauty of the Splinterlands.
John Feffer is the director of Foreign Policy in Focus at the Institute for Policy Studies. In 2012–2013, he was also an Open Society Fellow looking at the transformations that have taken place in Eastern Europe since 1989. He is the author of several books and numerous articles. He has also produced six plays, including three one-man shows, and published a novel.
- Sales Rank: #50747 in Books
- Brand: imusti
- Published on: 2016-12-06
- Original language: English
- Number of items: 1
- Dimensions: 7.40" h x .50" w x 5.20" l, .0 pounds
- Binding: Paperback
- 130 pages
- Haymarket Books
Review
"In a chilling, thoughtful, and intuitive warning, foreign policy analyst Feffer (Crusade 2.0) takes today’s woes of a politically fragmented, warming Earth and amplifies them into future catastrophe. Looking back from his hospital bed in 2050, octogenarian geo-paleontologist Julian West contemplates his fractured world and estranged family. West is writing the follow-up to his bestselling 2020 monograph, Splinterlands, in which he analyzes the disintegrated international community. By 2050, the refugee-saturated European Union has collapsed; the countries of Brazil, Russia, India, and China have splintered; and Washington, D.C., is gone, destroyed by Hurricane Donald in 2022. There are water wars, imitation foods made from seaweed, inequality, disease, and sleeper terrorists. On a virtual reality trip to make amends, West visits his children—professor Aurora in a deteriorating Brussels rampant with kidnappings; wealthy opportunist Gordon in Xinjiang, no longer part of China; and freedom fighter Benjamin in prosperous Botswana. His ex-wife, Rachel, lives in a commune in a snowless Vermont, now a farming paradise. Lending credibility to his predictions, Feffer includes footnotes from West’s editor written around 2058. This novel is not for the emotionally squeamish or optimistic; Feffer’s confident recitation of world collapse is terrifyingly plausible, a short but encompassing look at world tragedy. "
—Publishers Weekly, Starred Review
“Feffer’s book is a wild ride through a bleak future, casting a harsh, thought-provoking light on that future’s modern-day roots.”
—Foreword Reviews
"Just as it’s especially enjoyable to read science fiction written by real scientists, Feffer offers readers a uniquely well-researched and historically robust argument for why the world turns out the way that it does, which makes it all the more relevant—and frightening. "
—Washington City Paper
"Readers who enjoy dystopian stories that hold more than a light look at political structures and their downfall will more than appreciate the in-depth approach John Feffer takes in his novel."
—Midwest Book Review
"Splinterlands is a short and powerful dystopian novel, framed as an all-too-credible account of what might happen in our lifetimes."
—Climate and Capitalism
"John Feffer is our 21st-century Jack London, and, like the latter's Iron Heel, Splinterlands is a vivid, suspenseful warning about the ultimate incompatibility between capitalism and human survival."
—Mike Davis
“Feffer’s book, in short, is provocative in the best sense….The dystopic alternative, illustrated so powerfully in Feffer’s Splinterlands, provides us with powerful motivation to shape a better, less splintered, future.”
—W. J. Astore
"Splinterlands paints a startling portrait of a post-apocalyptic tomorrow that is fast becoming a reality today. Fast-paced, yet strangely haunting, Feffer's latest novel looks back from 2050 on the disintegration of world order told through the story of one broken family-- and offers a disturbing vision of what might await us all if we don't act quickly."
—Barbara Ehrenreich, author of Nickle and Dimed and Living with a Wild God, and founder of the Economic Hardship Reporting Project
“A chilling portrayal of where the politics of division could take us. Now I only hope he writes the sequel to tell us how to avoid it!”
—Naomi Oreskes, co-author of The Collapse of Western Civilization
"Splinterlands could conceivably be the story of our lives." ―LJ World
About the Author
John Feffer is a playwright and the author of several books including the novel Foamers. His articles have appeared in The New York Times, The Washington Post, The Nation, Salon, and others. He is the director of Foreign Policy In Focus at the Institute for Policy Studies.
Most helpful customer reviews
19 of 19 people found the following review helpful.
I sat down to read this piece of dystopian fiction ...
By David Mandelbaum
I sat down to read this piece of dystopian fiction expecting and eagerly anticipating a book similar
To the the novels I've come to expect of this genre(Hunger Games, World War Z, etc). Instead, what I read was a book that made me think, not just entertain; a book that truly frightened me because, unlike other books in this genre, we're already beginning to live this future. Splinterlands is both thoughtful and entertaining. I would hope that readers are sufficiently informed by Splinterlands that they are compelled to take action our future depends on it
9 of 9 people found the following review helpful.
The Splintering
By Joseph A. Domino
This short speculative novel by John Feffer presents a chilling view of a global collapse just around the corner. A literal splintering. For those paying attention to the direction globalization is taking us, the narrative is convincing. Not so appealing is the “presentation” of the “content.” Therein lies the problem: the narrator, an academic and acclaimed author Julian West describes his literal displacement by Hurricane (ahem) Donald in 2022 which floods and decimates Washington, D.C., forcing West to his roof. Thank you, global warming.
It is not clear at the outset why, but some twenty-five years later, aged and in ill-health, West is bedridden and decides to contact his three estranged children and wife, all scattered across the globe. He does this with a virtual headset and avatar, Virtual tours plus “face to face” meetings in venues as diverse as Brussels, China, and Africa. West’s children have all taken separate paths, adjusting to the collapse in their own ways, but all have misgivings with their father. So we basically have three separate dialectics which doesn’t make for fully fleshed out drama. The splintering of the family is directly analogous to the splintering of the geopolitical landscape. Like the Syfy series, “Incorporated,” there are green and red zones.
This is less of a problem in the concluding two chapters where human interaction is more compelling. West contacts his estranged wife of 25 years, Rachel, also once a scholar researcher, who turned her back on academia to join a commune in Vermont, quite successfully as it turns out. West is receiving some experimental treatment for a pandemic staph infection. Rachel is ill, too and Julian wants them to be together to share the treatment. The transmission is cut off before she can answer.
In the final chapter we learn why West is receiving the treatment and from whom as well as other ulterior motives for contacting his family. It’s worth a look and makes for a quick read.
6 of 6 people found the following review helpful.
Another Short History of the Future
By Peter J. Orvetti
[Full disclosure: I have known the author for several years and had a small part in a production of one of his plays, in which he also performed. Our acquaintance has not led me to soften this review -- if I hadn't liked the book, I just wouldn't have reviewed it.]
"Splinterlands" is about "Splinterlands", a popular political tome of the early 2020s on a par with books by authors like Francis Fukuyama and Thomas Piketty in terms of its popularity and notoriety. And it's also about the Splinterlands, the disintegration of the interconnected post-Cold War liberal consensus world of international organizations and commerce that takes place between roughly 2018 and the middle of the 21st century, when the action of this short novel takes place. It's a first-person narrative by the largely sidelined author of "Splinterlands" after the fall of the current order, both a political account and an account of his own broken life and family.
There are elements of Whitley Strieber and James Kunetka's "Warday" here, in that "Splinterlands" is a tour of a post-catastrophe realm, spending sections on the fates of various cities and nations and how they got there. (Unlike "Warday", the Armageddon here wasn't wrought by bombs but rather by climate change and neo-nationalism in the form of Trump, Farage, Le Pen, and company.) Those seeking a traditional novel may be disappointed, as these aspects of "Splinterlands" are essentially a journalistic-style account of recent history from the perspective of about forty years hence. (In that respect, "Splinterlands" follows in the tradition of "A Short History of the Future" by W. Warren Wagar, another progressive writer.)
One of the most compelling aspects of "Splinterlands" is the set of endnotes, intended to have been appended later by a skeptical scholar. These reminded me of the notes in Nabokov's "Pale Fire" -- they tell an entire story on their own, greatly enriching the whole.
"Splinterlands" is a pessimistic work, but one that rings true. Feffer leaves it to the reader to decide whether it presents a world that is inevitable, or one that can yet be avoided.
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